This week’s New Statesman magazine features photographs from the Our Lives project I worked on last year – a commission with Save the Children on UK child poverty.

A selection of the photographs will go on display in the Upper Waiting Hall of the Palace of Westminster, London SW1 from 12-16 March.

Our Lives will be then be on show in the Embankment Galleries at Somerset House from 27 April – 20 May as part of the World Photography Awards exhibition. There will be a seminar in conjunction with the exhibition on 28th April where I’ll be speaking alongside the other photographers who worked on the project- Liz Hingley, Laura Pannack, Abbie Trayler-Smith and Carol Allen-Storey.

In this session of In the Photographers Studio, we speak to award winning photographers Simon Roberts,

I have two pictures in today’s Financial Times Magazine special photography issue, which looks at the people and places after the disasters of the past year. My piece looks at the aftermath of the England riots in Croydon, notably the Reeves Furniture store.

“On August 8 the riots came to Croydon in Greater London, the town of my birth, where more than 2,000 people took to the streets, causing wanton destruction. That night, 80-year-old Maurice Reeves and his wife were celebrating their wedding anniversary in London. On his return home Maurice switched on the television to see his business, the House of Reeves, going up in flames.

The Reeves furniture store was started in 1867 by Maurice’s great-grandfather and is the oldest family-run business in the town. The showroom on Reeves Corner is where generations of the Reeves family grew up and worked. Footage of this local landmark ablaze became an enduring image of the England riots and Maurice was seized upon by politicians as a potent symbol of national pride and stoicism.

The day after the burnt-out shell of the Reeves building was demolished, Maurice ended his 15-year retirement to help his sons Trevor and Graham rebuild the business. Within a day the shop had reopened on a site nearby and since then the family’s aim has been to retain their staff and replace the stock in time for the all-important January sales. Maurice has also used the tragedy to help champion Croydon’s business community, badly hit by the riots, and to support youth groups and organisations working with some young offenders who took to the streets

The future of the site is still not certain, but the family is adamant that the Reeves brand will remain in the town for decades to come. “Some people might have just shut up shop,” said Trevor Reeves, “but my father’s immediate reaction was to carry on. After all, we’ve got five generations behind us saying, ‘Don’t cock it up.’”

For the past year I’ve been photographing life along the beach in my home town of Brighton.

Today a selection of the photographs are published in the Saturday Telegraph Magazine.

I’ve recently started a new body of work called Pierdom which is published in today’s Saturday Telegraph Magazine. The series documents the British Pier – monuments of Victorian engineering and eccentricity.

“There is something irresistible about the great British pleasure piers. They combine a wonderful jumble of national passions: our fascination with the coast and the sea, with Victorian engineering and with the beautiful, eccentric folly that architecture provides every now and then. Add to that the idea of pleasure itself – from slot machines to concerts, as well as the simple charm of a walk out towards the ocean, or a stolen kiss at the end of the promenade.” Dominic Bradbury

You can download a pdf of the magazine spread here.