Flowers Gallery will be presenting prints from my Sight Sacralization: (Re)framing Switzerland work at the 37th edition of The Photography Show, presented by AIPAD.
It will be held March 30– April 2, 2017 at Pier 94 for the first time.
Pier 94, 711 12th Avenue, New York, NY 10019, USA
Hours
Wednesday, March 29
Vernissage VIP Hours: 2:00 p.m. – 5:00 p.m.
Vernissage Public Hours: 5:00 p.m. – 9:00 p.m.
Thursday, March 30 through Saturday, April 1
VIP Hours: 11:00 a.m. – 12:00 p.m.
Public Hours: 12:00 p.m. – 8:00 p.m.
Sunday, April 2
VIP Hours: 11:00 a.m. – 12:00 p.m.
Public Hours: 12:00 p.m. – 6:00 p.m.
The newly expanded Show, organized by the Association of International Photography Art Dealers, will present exceptional photography from early masters, modern luminaries, and rising and established contemporary names from more than 100 of the world’s leading fine art galleries.
One of the world’s most prestigious annual photography events, The Photography Show is the longest-running and foremost exhibition dedicated to the photographic medium, offering a wide range of museum-quality work, including contemporary, modern, and 19th-century photographs as well as photo-based art, video, and new media.
The Photography Show will feature galleries from across the U.S. and around the world, including Europe, Asia, Canada, Mexico, and South America. With four new sections – Salon, Gallery, Positions, and Discovery – the Show will offer work from both AIPAD members and new exhibitors, as well as younger galleries, and book dealers and publishers.
Opens: 9 March, 7 pm
Introduction: Andrew Phelps in conversation with Simon Roberts
FOTOHOF will present the first exhibition of the British photographer Simon Roberts in Austria. Simon Roberts is a prolific and internationally renowned photographer of the contemporary British photography scene, who has spent the past 10 years tracing the “British”. The exhibition in Salzburg is titled “Landscape Studies of a Small Island”, the beginning of an international exhibition tour of this work.
In 2005 Roberts began to deal with the question of what it means to be British and decided to focus his camera on his own country, the British and their landscape. The result is a series of several works showing the political, social and cultural British landscape. Non-judgmental and free of irony, his photographs provide evidence and information about social relations not only between people, but also between people and the places of their leisure activities in the English countryside.
Press Release available here.
A series of my photographs made for the Rome Commission are included in the group exhibition Colosseo Un’Icona on show at the Colosseum in Rome.
For more information about visiting: http://www.coopculture.it/en/colosseo-e-shop.cfm
Blurb-
The ambulatory of the second order of the Flavian Amphitheatre will host the exhibition entitled “Colosseum. Icon “, curated by Rossella Rea, Serena Romano and Richard Santangeli Valenzani , with exhibition design by Francesco Cellini .
For the first time the Colosseum is told in an exhibition that will trace the long and intense life of the site over the centuries up to the present day.
The exhibition is divided into six sections arranged in chronological order, through which we will highlight the historical and cultural influence of the amphitheater, which is found in the most diverse: from painting to restoration, from architecture to urban planning, from the show literature, sociology and politics.
Over time, the monument has become the symbol par excellence of eternity and power of civilization and culture. Even today, the attention of the international news, the Colosseum is present in the collective imagination not only of Italian: his myth continues.
The exhibition is promoted by the Superintendence for the Colosseum and the central archaeological area of Rome, with Electa. It ‘also accompanied by volume The Colosseum Book and will follow the catalog, both published by Electa.
Our artist collection Piece of Cake, has been invited to participate in this event at Aperture (New York, USA): Collective Thinking, For Freedoms
Opening: Wednesday, February 22, 6-8:30pm
Aperture has invited the artist-run super PAC, For Freedoms, to curate and implement an improvisational exhibition and series of dialogues that investigates the photographic collective as a model for responsive artistic production.
This two-week project will feature live events that bring together several active photography communities to discuss the practices, benefits, and methodologies of collectivity, while focusing on the question of what defines “the political” in art-making today. The photographic collective is a form intended to amplify the individual voice and to provide a forum for artistic feedback and critique. Is the act of creating dialogue in and of itself political? Can diverse creative communities be inclusive while remaining coherent? What is there to learn from each other? How can an art space become, like a collective, a vehicle for dialogue? Each collective is invited to contribute a visual prompt for discussion and selected works to be presented in the space; the main propulsion for this activity, however, will be a series of in-person activities including meet-ups, salon-style conversations, and other events.
The collectives included in the exhibition are EverydayClimateChange, Invisible Borders, Kamoinge, Piece of Cake, Rawi(ya), and WRRQ.
ForFreedoms Event: Saturday, February 25 (tentative date), all-day publishing event.
Piece of Cake Beer & Books & Bingo, Friday, March 3, 6-9pm (open to public).
Piece of Cake sharing/critique all-day workshop with NYC-area MFA students: Saturday, March 4
Collective Round-table Discussion with For Freedoms – discussion about collectives: Wednesday, March 8, 6:30-8:30
This is the opportunity for the collectives to come together in a public conversation about collectives.
The alphabet is reinvented in this display of critically acclaimed photographers exploring new notions of the age-old teaching tool for children – the alphabet book. I is for… Imagine, N is for… Now, W is for…Who, What, Where, Why?
The exhibition brings together a collection of international photography heroes and acclaimed photographers from various walks of life. Among the 26 artists are Martin Parr, Nan Goldin, Wolfgang Tillmans, Alec Soth, Simon Roberts, Peter Lindbergh and Sebastiao Salgado.
This display is based on a book recently published by Berlin-based publishing house Tarzipan Books.
More information here:
http://www.vam.ac.uk/moc/exhibitions/abc-photography/
Prints from The Last Moment are included in this group exhibition at The Pully Museum of Art.
‘Evidences of Reality – Photography Face With Its Shortcomings’ addresses the materiality of the medium and some strategies developed by contemporary artists that cut, tear, puncture or scratch paper to better reveal the essence. This exhibition allows to present to a broad public works of international but also local artists with a stage design in partnership with the CEPV (Centre for Vocational Education of Vevey), under the direction of Nicolas Savary. It is a great pleasure for the Art Museum and the City of Pully able to organize this exhibition under the scientific police Pauline Martin, art historian and specialist in photography but also associate curator at the Musée de l’Elysée.
Artists presented include: Martina Bacigalupo, Eric Baudelaire, Rebecca Bowring, Aliki Braine, F & D Cartier, Cai Dongdong, Hans-Peter Feldmann, Mishka Henner, Laurent Kropf, Bill McDowell, Simon Rimaz, Simon Roberts, Miguel Rothschild and Joachim Schmid Vionnet.
For Pauline Martin, “the work presented in this exhibition play with the frustration caused by photography, which awakens the desire of reality without it nevertheless allows to grasp it. The artists deliberately play with the tension between one side paper that is exhibited and the other a referent disappears. The viewer can touch neither the first nor the second ever see. It will, however, pleased to note, with the artists themselves, that photography is more than a picture: it raises questions constantly about our relationship to the living, and its possible disappearance. ”
I’m launching a new series of work as part of the group exhibition ‘Unfamiliar Familiarities: Outside Views on Switzerland’, an initiative of the Swiss Foundation for Photography, co-produced by the Musée de l’Elysée and with the support of Switzerland Tourism.
Switzerland’s image has been significantly shaped by photographs dedicated to tourism. With spectacular mountain panoramas, rural idylls or portraits of local people the country could be successfully marketed, and these photographs also made an important contribution towards national identity. Another consequence, however, was that the respective pictorial repertoire became inflated and stereotyped.
Switzerland Tourism has chosen an unusual project to mark its 100th anniversary in 2017 with the aim of exploiting the potential of photography anew. The Swiss Foundation for Photography (Winterthur) and the Musée de l’Elysée (Lausanne) invited five internationally renowned photographers to scrutinise Switzerland in their capacity as independent, subjective and sensitive observers – unrestricted by any advertising commission.
What Alinka Echeverría (Mexiko/UK), Shane Lavalette (USA), Eva Leitolf (Germany), Simon Roberts (UK) and Zhang Xiao (China) discovered on their travels around the country or along its borders is both inspiring and revealing. Their exciting, poetic or mysterious-enigmatic images invite viewers to see the familiar with the eyes of an outsider.
My series is called ‘Sight Sacralization: (Re)framing Switzerland’ and includes this photograph:
Image: Gornergrat, Zermatt, Switzerland, 2016 (Lambda Print, 48×60″)
Unfamiliar Familiarities is curated by Tatyana Franck, Peter Pfrunder and Lars Willumeit. A boxed set of publications to accompany the exhibition is being published by Lars Müller Publishers.
Exhibition at the Fotostiftung Schweiz, Winterthur: 11 February to 7 May 2017; at the Musée de l’Elysée, Lausanne: 25 October 2017 to 7 January 2018
www.fotostiftung.ch www.elysee.ch
www.myswitzerland.com
Several prints from my series Polyarnye Nochi are included in this group exhibition in the Print Sales Room at The Photographers’ Gallery.
WHEN FROST WAS SPECTRE-GREY
18 November 2016 – 15 January 2017
I leant upon a coppice gate
When Frost was spectre-grey,
And Winter’s dregs made desolate
The weakening eye of day.
Thomas Hardy
The Darkling Thrush, 1899
An exhibition of winter landscapes featuring; Evgenia Arbugaeva, Tamas Dezso, Paul Hart, Nicholas Hughes, Martina Lindqvist, Simon Roberts & Pentti Sammallahti.
Join us for a one-day symposium accompanying Museums Sheffield’s new exhibition at the Graves Gallery, Street View: Photographs of Urban Life.
Featuring images primarily drawn from Sheffield’s own photographs collection, the exhibition explores the diversity of the street; as a social space, as a battleground for protest and as a source of artistic inspiration. Visitors will discover a range of works which, in many cases, have not been exhibited for over 20 years.
This symposium will contextualise the exhibition within the broader theme of street photography and the long-term development of photography in Sheffield. It also aims to emphasise the importance of UK-wide photography networks to continued development and research in the field. The symposium will offer the first chance to find out about the Photographic Collections Network. This is a new organisation, supported by Arts Council England, for anyone involved with photography archives and collections. It launches in October 2016 and Paul Herrmann, one of the co-founders, will give more information about its aims and plans.
Speakers will include Susanna Brown (Curator, Photographs, Victoria and Albert Museum), Simon Roberts (UK-based contemporary photographer), Paul Herrmann (Director, RedEye: The Photography Network and Chairman of the Photographic Collections Network), Paul Hill (UK-based photographer and Professor of Photography) and Ken Phillip (Sheffield-based photographer and former Lecturer of Photography, Sheffield Hallam University).
The symposium will be followed by a special evening viewing of the Street View exhibition 5.45pm-7.45pm with curator Catherine Troiano.
Tickets are priced 12 / £10 concessions and are available now – please book via Eventbrite
For further information please contact Catherine Troiano: [email protected]
I’m giving a talk on Tuesday 15th November at FOMU foto museum in Antwerp, Belgium.
Entry is free but you must register here: http://www.fotomuseum.be/workshops-en-events/lezingen/inschrijven-artist-talk.html
The talk has been organised by the photography department of Royal Academy of Fine Arts, Antwerp.